Brasato di Cervo (Braised Venison)

Well that's Christmas over for another year, and for the first time in many years we've not been able to get to Italy to see the other side of the family and celebrate with them. There's a very good reason we've not been keen to travel far, the arrival of our Son, Max, but that doesn't mean we're not disappointed and feeling a bit low about it. The Italian trip has become something of an institution and it feels like something is missing somehow.

Luckily Nonna did manage to visit before Christmas and meet her grandson briefly in December, and she also brought practically an entire suitcase full of food for us, mostly local from the region. I swear she thinks I starve her daughter back here in England, and the food here is desperately in need of some hearty Italian additions! I have to admit I struggle to disagree given what she brought, the small crunchy breads called Bibanesi for example which I love and can't find in this country. There's also the wonderful Cotechino, a form of pork sausage that's probably quite bad for you but tastes delicious, especially when served with puy lentils cooked with vegetables and butter. There's also the truly local food, venison shot in the Italian alps by the Italians father or one of his friends - it's never entirely clear who shot what it seems. This time around we had mince and something labelled "Rosbeaf Cervo", which I think was some sort of topside joint. Either way I decided to do it in Nonna's style, something I've had many times when visiting the in-laws, a braised dish with root vegetables and wine.

Brasato di Cervo

The trouble with wild food is that you're never entirely sure what you're getting. Farmed food has the reliability of mass production at least, if not the flavour of wild, but it does mean that when a cut ends up on your kitchen sideboard you can't be 100% sure how best to cook it. Braising is something of a fallback in this respect, as there are very few cuts that won't be delicious after slow cooking in a moist flavour rich environment. This dish is something I've seen made a lot in Italy by the Italians mother as well, so I did have something of a head start on it, plus a handy recipe check just a phone call away.

The meat as it arrived - just what is this?!

Nonna is actually a fabulous cook, but in that home style way that is so often overlooked. She cooks simple food incredibly well, something which perhaps could be said is a hallmark of all great Italian cuisine, but something that can be tricky to replicate back home. I find the tendency is to overdo the frippary and miss  the more basic - but critical - aspects of the cooking, which is why proper Italian food is so hard to find outside of Italy. By that I mean the underlying aspects such as how long to cook each part of the recipe, and the correct quantities of each of the ingredients.

This brasato recipe is a case in point, deceptively simple, easy to make, but hard to master. You start with a quick sofritto, then spend some time browning the meat exceptionally well, next deglaze with white wine and then very slow cook until tender.

Step 1: Sofritto

Sofritto is the Italian word for what the French call a mirepoix, a combination of onion, carrot and celery chopped into small dice that is slowly fried in oil or butter to form the base of other dishes. Here is is used as the base flavour for the braise, and also as the sauce used to dress some pasta for the primo.

Often when I cook onions I prefer to do them long and slow, creating an underlying sweetness and mellow onion flavour, but seeing as this is a slow braise anyway there's not so much need. One thing that is important though is to add the ingredients one by one, not all together. This means you can more accurately judge different lengths of cooking for different vegetables, and also that you won't overload the pan cooling it down. The golden rule is:

• Onion first, 5 minutes or do
• Carrots next, another 5 minutes or maybe a few more
• Celerey, for just 3 minutes or even less

Now I should be using celery here, but a trick I've used a few times in the past is to swap this for celeriac leaves instead. I first started to do this as I had some celeriac leaves left over and didn't want to throw them away, but have found that they flavour just as well as celery and in some ways add more interesting notes and texture to a dish. I love the way the leaves end up as speckled flecks of green through the sauce.

Onions in first

Then the carrots after 5 minutes

Next some rosemary and bay

Now for the roughly chopped celeriac leaves

The finished sofritto

I also used a little garlic in this recipe, sliced thickly and added after the celeriac leaves. No need to cook it out, it will soften and flavour the sauce in the long slow braising. There's also some rosemary and bay, but you can add whatever herbs you like really or have available. I wouldn't bother adding dried though, there won't be much flavour left from them by the end.

Thickly sliced garlic

Step 2: Frying the Meat

Once the vegetables have been cooked till just softening it's the meat's turn. Simply turn the sofritto out into a dish on the side, and a little more oil into your pan and then get the meat frying.

Sofritto left on the side. Doesn't matter if it cools down a little, it'll soon be hot again.

Meat is often browned before cooking, and this was once thought to 'seal the meat', keeping it juicy by creating a crust on the outside that keeps moisture in. It's now pretty well known though that this simply isn't true, moisture can escape just as easily from browned meat, what keeps it moist is the cooking technique. What browning does do though is create the Maillard reaction, that wonderful rich dark brown colour imparts all sorts of delicious flavours to the dish.

As usual in many recipes the meat is first tossed in seasoned flour, which will act as a thickener for the sauce. Unusually though the meat is browned for a very long time, 15 minutes or longer. This is something that I've learned from Nonna, and is an absolutely critical part of this dish. It imparts such a deep an rich flavour to the finished brasato it has to be tasted to be be believed!

The meat tossed in seasoned flour

The very well browned meat

The wine has just been added, but the pan not yet deglazed.

Sofritto and meat together, ready for braising.

Once the meat has had it's 15-20 minute browning, delgaze with a generous glass of white wine, and then add the sofritto back in and it's ready for the long slow braise.

Interesting point here - the addition of white wine rather than red wine is another hall mark of Italian cooking that I've discovered. More often than not I'd have used red wine before I met the Italian, but have since learned that it is much more usual to use white wine even in red meat dishes, and I think it does produce a finer result.

Step 3: The long slow braise

Finally, time to do nothing! All you need do now is get the meat on a very slow heat, cover it and leave it alone. When I say very slow, you should be able to see the odd bubble coming up from the bottom of the dish but nothing more than that. The very worst thing you can do to a braise is cook it fast, nothing will toughen meat up quicker. As for timing, you should be aiming for at least 2 hours for a piece this size I would say, longer for larger. If it starts to dry out at all just add a tablespoon or two of water.

The finished dish, a couple of hours later.

Serving: Primo and Secondo

Back home in Italy this would probably be served in the traditional way, primo first then secondo, with the same dish providing the sauce for both. Pasta and rice are usually only served as a 'primo' course, not as a main, with meat and vegetables or salad as a 'secondo' course. A braise like this is perfect as you have a sauce for both.

First take out the meat and leave it to rest as usual - this will help the meat to become even more tender as it relaxes. For this dish I then blitzed some of the sauce in a food processor to make a smoother sauce for some fresh pasta, keeping about half the sauce in the pan with the resting meat.

Sauce on the left for meat, water boiling for pasta, and blitzed pasta sauce warming.

Fresh egg tagliatelle. Hand cut rather than machine cut this time, so a bit rough!

Fresh pasta like this really only needs a minute or so cooking, depending how thinly you've rolled it. I served the braise with some dauphinois potatoes left over from New Year's Eve's dish, so pretty easy food all in.

The primo, fresh egg tagliatelle with the sauce slightly blitzed.

Secondo, slices of braised meat and dauphinois, dressed with the braising sauce.

Hopefully this dish doesn't look too complex, and I hope you'll find time to try it. The flavours really are wonderful, and of course you get leftovers so you only have to cook it once and you can get several meals out of it.

P.S. There's a full library of images from this dish on my Picasa Web Album, Brasato di Cervo. This also includes pictures of making beef, red wine and wild mushroom ravioli - more left overs from New Year. When making pasta it's always a good idea to make a fair bit as you can either freeze it or dry it for another time. Making ravioli like this is a great way of using up leftovers too.

Shoulder of Pork with Quince & Chilli

Quick note to regular readers: I've not written for a while since my son Max was born a few weeks ago. Whilst I've still been cooking,  I've not had quite as much time to write about it as I'd like to!

Quinces on the tree

I guess I've always been a seasonal cook, and whilst that means you get the pros of having the very best produce to cook with, it also means that you have to cope with various gluts of products now and then through the year. Right now if there's one thing I tend to have a lot of it's quince, a wonderfully fragrant hard fruit that needs to be cooked before eating. I bought my particular tree, a Quince Vranja, many years ago now, and although it's never grown particularly large it does crop very well, with prolific large, heavy golden pear shaped fruits. They have the most wonderful perfume to them, though they can go brown and decay quite quickly if you don't use them quick once they've fallen from the tree. For that reason I never tend to pick them, just take them as they fall.

Cooking wise quince is most often paired up with apple, added to fruit pies and sauces, and adds interesting notes of flavour and texture. I've also made jams and jellies with it, various interesting desserts, as well as the famous quince cheese - an odd concoction, but certainly tasty. Kind of like home made jelly sweets, though more often paired with cheese. This time around though I wanted to try something roast'ish, but had already bought a good looking shoulder of pork for Sunday. Luckily I came across an interesting looking recipe from Sophie Grigson on the BBC's website, Slow-roast shoulder of pork with quinces served with savoy cabbage and roasted potato wedges.

I was a bit suspect of the recipe to start with, thinking that it might turn out too sweet with tough pork and soft crackling, but knowing what an experienced cook Sophie is it hardly seemed my place to question her, so I pretty much went along with it. My main differences were:

• Shoulder on the bone, not rolled
• Normal onions, not red
• Dark muscavado sugar, not light

I also didn't bother greasing the dish before hand, and decided to cut my quince and onions into chunks rather than slices. Here's a picture of my ingredients before preparation:

All the ingredients before preparation

And two pictures before going in the oven, one without the dressing and one with:

Ingredients ready for the next stage

Ingredients with 'dressing'

You'll notice I'm using a Dutch Oven here, or what I call my French Roaster. Oddly enough it's something I picked up that was discarded by someone else, and it's been a gem in my collection ever since. It's ridged bottom together with the dimples in the lid mean it can cook wonderful pot roasts and self-baste at the same time.

As Sophie suggested I did this with potato wedges and cabbage. I have a neat (lazy!) trick with potato wedges, that means I can cook them from cold. Once the dried potato wedges have been tossed in cold seasoned olive oil I arrange them on the roasting pan making sure that they're all skin side down. I then put them in a hot oven (200° or so) and make sure I don't touch then for at least half an hour - this stops them from sticking to the pan, avoiding that horrible moment when you go to toss your potato and the skin sticks to the pan whilst the rest of the potato just breaks away!

Potato wedges - all skin side down!

And the result? Well the flavour was outstanding. The quince was in no way too sweet, and the chilli was a revelation. Great combination. Knowing how well quince and apple go together I guess I shouldn't have been surprised that quince would also be a good match! The crackling was too soft, but I have another trick to deal with that. If this happens to me I simply take the crackling off the meat, put the meat to rest somewhere warm as usual, and then pop the crackling back into a hot oven on a new roasting tray for 20 minutes or so as the meat rests. That usually does the trick. The meat was pretty tender considering it had been roasted rather quickly - shoulder would usually be done cooler for longer. But it was in no way too tough. Perhaps that's also a mark of the quality of the meat - a saddleback from Oakcroft Farm, bought at Cullompton farmers market. As I've said before in my Top Roasting Tips, the quality of your meat is more important than pretty much anything else in my opinion.

The roast out of the oven. Looks a little 'caramelised' on the edges perhaps (i.e. burnt :-) but there was no bitterness at all

Sliced meat ready for serving. Lovely and tender.

Finished dish

All in all I can definitely say this is a dish I think I'll be doing again, though perhaps with one or two more tweaks.

P.S. It also went on to make a great sweet & sour pork dish later in the week with almost no more effort, so two dishes in one here!

Wild Mushroom Foraging: How to tell Real Chanterelle from Fake Chanterelle

Well mushroom season is back again, finally, and we had our first outing yesterday. I'd heard from others that it was a good season already, and sure enough we weren't disappointed - sometimes we go looking and come back empty handed, but this time around I'm happy to say that we got a pretty good haul.

Boletes & Chanterelles

I've been foraging for wild mushrooms for years now, and have slowly built my skills so that I can identify mushrooms correctly. I still find it tricky to tell the difference sometimes though, I have to say, and usually find myself poring through my mushroom books once home just to make sure. Roger Phillips's "Mushrooms" (he has a website too at http://www.rogersmushrooms.com/) is my key tome, as it is for many others, but I also have several others from people like Carluccio. I actually keep the Phillips book in the back of the car with my mushroom knife - you never know when you might find something tasty!

How to Start Identifying Mushrooms

Learning how to identify mushrooms takes time above everything else, partly of course because mushrooms are seasonal, so you only have a few months in which to practice. I think there are two great pieces of advice I would pass on to any budding mushroom hunter:

• First, get to know the major poisonous mushrooms before you know any others. There are actually quite a small group of common dangerous mushrooms, e.g. Death Cap, Panther Cap, Destroying Angel. Once you get your eye in and know what to look for it's relatively simple to spot them, and you can then be comfortable that you're protected from at least those deadly mushrooms that really will kill you.
  
• Second, pick a small group (i.e. genera) of mushrooms and focus on that, so you can comfortably identity mushrooms within just that group. Once you start learning more about mushrooms you soon realise that there are many, many different structures within them that set them apart from each other, so mushrooms that previously seemed exactly alike will suddenly be quite obviously different. You learn that even things like size can be quite specific, sometimes it's possible to rule out a certain species based on size alone.

Identifying Real Chanterelle versus Fake Chanterelle

When it comes to identifying mushrooms, one thing that has taken me years to feel truly confident about is telling the fake chanterelle (Hygrophoropsis Aurantiaca) from the real chanterelle (Cantharellus Cibarius). Many books and websites will tell you that it's quite easy to tell the difference between these two, but that's not been the case in my experience, so I thought I'd share here what I know just in case others have been equally as frustrated.

Chanterelle (or Girolle as they're also sometimes known) are of course one of the very best edible mushrooms - the Italian would probably say they are the best I reckon - and we're lucky enough to know a few local patches where they grow. Mushrooms of course grow in the same spot year in year out, provided you don't damage the underground root structures (i.e. mycelium) when harvesting, so once you've found a good spot it's worth keeping it under your hat! Trouble is fake chanterelles very often grow in the same locality, so chances are you'll probably encounter both.

I've read books that say you can identify which is which by colour, but they often seem very very similar. Others say you can by smell, but whilst true chanterelles smell of apricots, I've often found fake chanterelles can smell a bit fruity too. In blind tests I've always been able to spot one from the other if I have both, but given a single species I'm not so sure I could tell by smell alone. Another point of difference seems to be that the fake has a hollow stem, but the trouble is you could possibly find a true chanterelle with enough maggot damage (the mushroom hunters nemesis!) to confuse I reckon.

For me there is one absolutely unmistakeable difference between the true chanterelle and the fake chanterelle - the gills. A true chanterelle has primitive gills, a fake chanterelle has true gills.

Now the trouble with that statement of course, at least the trouble if you're not familiar with mushroom structure, is that the chanterelle is not a fish. Gills, from a mushrooms point of view, are what runs from the stem to the rim under the cap of the mushroom. On your normal supermarket mushroom they're usually white.

I'm not going to go on at length about them here, as this is actually a really complex subject, but it's hopefully enough to say that the diversity and structure of the gills is an absolutely key part of identifying mushrooms. Some mushrooms don't even have gills, but have other structures in their place. The wonderful hedgehog mushroom (which is delicious by the way) has spines for example, not gills at all, making it almost impossible to misidentify, as mushrooms which have spines are a very small group.

Chanterelles are unusual in that they have primitive gills, and that's exactly what it sounds like. Normal mushroom gills are thin and papery, well formed and uniform. Primitive gills are more like ridges on the surface of the mushroom underbody, they tend to be more haphazard and are an extension of the underbody itself, rather than a thin sheet of material protruding from it.

But enough words from me, I'm going to let my pictures finish this post. Below are a number of shots I took of two mushrooms, the first on the left is a true chanterelle that's destined for risotto. The second mushroom on the right is a fake chanterelle that's destined for the recycling bin. Hopefully the difference between their two gill structures is clear!

Update, August 2018

Just back from a lovely walk through the woods as the season slowly shifts from Summer to Autumn, and it looks like it's amazing season for one of these two - but unfortunately it's the false chanterelle! They absolutely carpet the ground in some spots, and to the casual eye look very much like chanterelles, but on closer inspection it's obvious they're not. I picked one particularly good specimen and shot a video back home which hopefully adds a little more detail about this gills business, check it out below, as well as a few more pictures.